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・ Gwendolyn
・ Gwendolyn (singer)
・ Gwendolyn Audrey Foster
・ Gwendolyn B. Bennett
・ Gwendolyn Bowers
・ Gwendolyn Bradley
・ Gwendolyn Brooks
・ Gwendolyn Brooks College Preparatory Academy
・ Gwendolyn Cartledge
・ Gwendolyn Ecleo
・ Gwendolyn Elaine Armstrong
・ Gwendolyn Faison
・ Gwendolyn Galsworth
・ Gwendolyn Garcia
・ Gwendolyn Graham and Cathy Wood
Gwendolyn Holbrow
・ Gwendolyn Jones
・ Gwendolyn Killebrew
・ Gwendolyn King
・ Gwendolyn Knight
・ Gwendolyn Lau
・ Gwendolyn Lemaitre
・ Gwendolyn Lizarraga
・ Gwendolyn Logan
・ Gwendolyn Lycett
・ Gwendolyn M. Miller
・ Gwendolyn MacEwen
・ Gwendolyn Masin
・ Gwendolyn Midlo Hall
・ Gwendolyn Osborne


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Gwendolyn Holbrow : ウィキペディア英語版
Gwendolyn Holbrow
Gwendolyn Holbrow (born August 22, 1957), is an American artist. Primarily a sculptor, she works in a variety of media and addresses an eclectic array of topics, with exploration of boundaries a recurring theme: between the tangible and intangible worlds; between the genders; between the individual and society. Humor and satire abound in Holbrow’s art.

==Notable exhibitions, installations and awards==

Holbrow’s career highlights demonstrate both the restlessness of her vision and her skill at executing her conceptions. She has won a Gold Medal at the Massachusetts Horticultural Society’s prestigious Annual Flower Show, with ''The Root-Children'', which addressed that year’s show theme, “Deeply Rooted.” She won Best of Show at the Cambridge, MA Art Association’s National Prize Show with Queen Kong, a Barbie contemplating a diminutive, apish Ken in her clutches. And ''Make Way for Calflings'', a piece submitted for a citywide exhibition featuring cow-themed pieces from artists across America, earned $50,000 at an auction for Boston’s Jimmy Fund – by far the highest value fetched by any of that project’s many well-received pieces.
Other memorable pieces and exhibitions have included ''Keep it Clean'', a table fountain featuring a nude Ken and Barbie together in a (working) miniature shower; ''It Was Here'', a bronze and concrete “historical marker” that lures the observer into noting the infinite, overlooked value of the present moment; and ''River of Grass'', a living sculpture at the Chesterwood Estate and Museum in Stockbridge, MA, in which Holbrow transforms a line of tall grass and wildflowers into a stream, waterfall and pool coursing through the estate’s carefully manicured grounds.

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